Lung Cancer Awareness Month



You may remember that back in September I blogged about a photo-shoot I did with Ricky Gervais for the BUAV. In addition to this I also shot images or Ricky for The Roy Castle Lung Cancer Foundation. The shoot involved posing Ricky holding a white board on which a lung x-ray would be superimposed.

Once the shoot was complete, the image was chosen and passed to Doug Summers who added the lungs and designed the poster that you may now see on the London Underground at St Pancras, Waterloo and Euston stations and also on 300 buses in Glasgow, Liverpool and Birmingham.

I must admit, when I compare my work to the other images in the campaign I have to say I think I produced something that worked really well..




Magne Furuholmen, Morten Harket, Pål Waaktaar


This week I photographed A-Ha for the second time in as many months, not something, I normally do. The reasons were twofold; this was the first gig of their “farewell” tour and also at the last gig I did not manage to get a group shot (all the members together).

There are so many blogs written regarding live music or gig photography. Usually these discuss the technical; cameras, settings and lenses. Nobody discusses what to shot. My list is as follows;

  • Audience and atmosphere; before or during the gig.
  • Entrance; this may be the only time the artist will wave or smile at the audience, the problem is the lights are not usually fully up.
  • Head and shoulders portrait; with singers without the mic covering half of their face. If a band, all members!
  • Full length portraits; especially if the artist is known for their fashion sense.
  • Group; if at all possible, particularly with more established artists where all the members of a group will be known. 

So many young photographers want to photograph music, but if you want to be a professional, the key is not to lose your head or get carried away, go through the list of shots and only once you are sure you have all of them, go for the arty. (This is the difference between professionals and amateurs as I have said so many times, knowing what is needed and making sure it is delivered).

So on Monday I got the group shot. Mission accomplished.

Originally uploaded by Julie Edwards Uk

Still Caring

About a month ago , I spent 2 days photographing composers, conductors and other performers at the Concert for Care. As this excerpt from an interview with the producer Tommy Person announces,  it’s not over yet… Listen Here...  (with thanks to Tim Burden for the interview excerpt. )

It’s lovely to hear others talk of your work in this way. The group portrait mentioned by tommy is this..

The for a sneak preview of the portraits that will be auctioned off, see here…
Please keep checking back for more news on the auctions for Care or other limited edition prints..

A Mixed Bag

Following my last post on a single event, this post is just a quick round up of the last week.


If we ignore my chasing the weather earlier in the week, started on Wednesday with a client meeting before meeting my brother for lunch at Trafalgar Square. As we were about to meet up he phoned me to ask where I was, “call yourself a photographer – you should be off covering this student demo in Whitehall”.  So I left him and headed to Whitehall for about 45 minutes just to get a taste. At this stage the demo was peaceful and jovial with many off for a day out and smiling for the camera. I did not go down to Millbank where it was so obviously hijacked and turned violent. 


Originally uploaded by Julie Edwards Uk


After lunch it was off to The Roundhouse to cover arrivals to “The Marshall Classic Rock Roll of Honour Awards”


Originally uploaded by Julie Edwards Uk




Thursday the weather worsened and I headed off to Brighton to get some “weather” images before photographing veterans at an “unofficial” remembrance service.  Weather images are so hard to capture.. ideally very strong winds along with a blue sky are needed for something that would be published. Unfortunately in Brighton all we had was strong winds, driving rain and a horrible grey overcast sky. The only image I can away with is this…




Originally uploaded by Julie Edwards Uk




I spotted this group making their way onto this pier and so I run across the pebbles, trying to shield my camera from the wind and the rain as I swapped to my longer lens. It’s an ok shot but not up to many of the shots that I saw from elsewhere in the UK. I was disappointed to hear later in the day that a kite-surfer had jumped Brighton Pier in all that wind… (see here).. only disappointed as I missed it and that was one image that would have been published. First rule of photography, to get an image to have to be there…


Luckily the weather was a little calmer in Sunday for the official remembrance parade. 




Originally uploaded by Julie Edwards Uk


Originally uploaded by Julie Edwards Uk




I ended the week with some music; Gorillaz at the O2. It’s been a while since I had shot some live music and as it was near the beginning of their world tour and I have not shot them before….


Originally uploaded by Julie Edwards Uk

Bonfire Night: Lewes

Lewes in East Sussex have what are almost certainly the largest bonfire night celebrations in the country. Thousands flock to the town to see the traditional celebrations featuring torchlit processions through the town centre.


I only live about 30 minutes away by car and 45 by train but have not visited for over 20 years, something I needed to remedy.  As a news story I needed an outlet to distribute my images (my main representatives are an entertainment agency and these images would not fit). Over the past month or so I have been watching the launch of a new news agency “London News Pictures“. One of my friends and colleagues has been working with them and I am impressed with the coverage they were getting. As they had no other photographer listed in my area I thought it could be a good marriage, they agreed and I am happy to have a new agency to represent my news work.


The first stage of covering any event is in the office, confirming times, the best locations, access limitations etc. My first call was Lewes Council Press office who confirmed the times and that being near the memorial was the best location. With access (a real concern as I did not want to be stuck in the crowds) they confirmed that there were no Press Accreditations as each society had their own safety stewards, did not invite or accredit press and access should not really be a problem. I was sceptical. 


With this is mind I set off early to check the location. A technically difficult shoot, with probable access problems for a new agency who I would like to impress. Arriving I chatted to some police officers who advised again that the marshals would ensure safety and me getting access into the parade should not be a problem.  We had a coffee then stood in the rain for 2 hours in the chosen location as the crowds built around us. To help with any questions that may occur later, I decided to wear my UK press card visibly as I would at a demonstration or parade.


Once the parade(s) started I was able to move around fairly easily (and carefully with so many flames around). There are a couple of classic images of this which I really wanted to grab before heading out to file. 




It was in the last 10 minutes before I planned to leave that it finally happened, a marshall bent down and said “you’re not allowed to be here” (there were other photographers near me and I was well back). I identified myself as press and showed my card. “Thats not a press pass” was the reply. Then I felt a hand on my shoulder from a second person. Decision time, do I argue of cut and run? I might be missing the final image I wanted but decided that was it.


The problem was the crowds had now grown to such a level that there was no way we could get out and whilst fighting the crowds to get to the station I (just about, over heads) got the shots of the crosses I was aiming for. Not perfect but ok.





The whole event is really quite dangerous but luckily this year was again fairly incident free. In our nanny state am a strong supporter of events like this but it think it is clear that it would not take much of an incident to close it down substantially. As a photographer it would have been fairly easy to paint a negative image, focusing on the dangerous; I tried to focus on the positive, the way the whole town is involved, the fact the all generations are involved, from the youngest to the eldest and finally the memorial and remembrance of our war heroes. It was just a shame I was unable to complete the job.




My favourite from the night taken earlier in the evening from the location where I was moved from.

The images for sale may be seen on the agency site

Edit: First job for new agency, with a use on the Daily Mail website here.. 

2nd Edit: 2nd use on Telegraph website here…