Hard Rock Calling

This weekend was “Hard Rock Calling”; one of a series of live music events that take place on Hyde Park over the summer.

The event started off on the wet Friday afternoon but the crowd were not going to let that dampen their sprits. The main acts were James, Kaiser Chiefs and Killers.

A wet crowd enjoy Kaiser Chiefs

Ricky Wilson of Kaiser Chiefs

The main act on the second stage were The Kills. Many of the reviews the next day described Alison as the sexiest front woman of the moment or the band as the sexiest at the moment. I have to agree with them. The back lighting made them very difficult to photograph but i think this image captures the moment.

Alison Mosshart ("VV") of The Kills

Saturday was dryer and started far earlier.I started with Vintage Trouble on the main stage. Walking up a number of other photographers were saying that this band had appeared on BBC’s Jools Holland show a while before and they were really good. I have to agree, they are really worth checking out.

Ty Taylor of Vintage Trouble

Later in the press tent (which apart from being too hot on the Sunday, was really excellent with great hospitality for the press) we were treated to an acoustic performance by the band after they did an interview. One of the hi-lights of the weekend, working, editing pictures with a great live acoustic set going on..

Another new band for me were in the second tent; Evaline whose frontman Richard Perry almost took my head off at one point as he jumped from the stage to the audience.

Richard Perry of Evaline

The main stars of the show were of course Bon Jovi, By this time the sun was out, the skys were blue and the audience and sky were reflected perfectly in Jon Bon Jovi’s mirrored shades.

Jon Bon Jovi

On Sunday the sun really shone and the press tent warmed up! (well thats my excuse for a beer or two along with copious amounts of water as I worked). As a photographer, sometimes you have to work hard to get interesting images, sometimes you get performers that work so hard on stage that the images are there, its just a case of timing, reading and positioning. Adam Ant was one such performer, sticking all his old poses and putting everything in.

Adam Ant

Adam was followed by Stevie Nicks who was a little harder work (but sounded amazing). The real issue of the day though was shooting Rod Stewart, the headline act. It had been decided that Rod was to be shot from the sound desk which with it’s limited room meant only a few would be able to shoot. The ridiculous thing was that after deciding all this, Rod appeared on stage to introduce Stevie and so of course, we all got our shot. Why he was happy to be shot close up introducing but not performing is anybodies guess. Made a mockery of the sound desk shots really, (except from the sound desk the shots can be of the whole stage / lighting ).

Rod Stewart

All in all a good 3 days. Next weekend, Hop Farm…

 

 

 

 

Isle of Wight Festival 2011

Logistically, this festival is a nightmare; it’s on the island so there are limited ways to get there and it’s miles from all the ports. I’ve never been so I snapped up a late accreditation which of course meant all the nearby hotels were fully booked and the others I enquired at asked for “silly money”.

Travelling a distance every day by public transport (I am determined where possible to travel by as environmentally friendly means possible) required a few compromises, the first of which was not taking a ladder (more on this later). My hotel was in Portsmouth and I would travel back and forth on the Portsmouth-Ryde ‘fastcat” (this was still cheaper than the Isle hotels quoted).

Arriving on the Friday, the first band I photographed were the openers on the main stage “Big Country”.

The rest of the afternoon was spent shooting acts on the “Big Top” Stage or in the media centre, leaving fairly early as I would not be shooting “Kings of Leon”. I particularly enjoyed “Imelda May”; her performance, style and music went down really well.

Imelda May performed great music with class and style.

Weather-wise, Saturday was by far the best day and again I started on the main stage with “Stornaway” and spent the day being ferried between the 2 stages, the hi-lights were really;

Stornaway opened the main stage on Saturday

The Vaccines in the "Big top" played some good old fashioned rock.

Seasick Steve is a festival favourite

Iggy Pop might be looking old but he is still a great live performer and knows how to get the crowds going!

I finished off the day on a high with “Pulp” (Jarvis Cocker really on form).

Pulp!

Jarvis Cocker is on form

Sunday was awful wind and rain (at times torrential rain). With heavy coats and plenty of plastic wrapped around the camera in a vain attempt to protect it I went out to the main stage to shot James Walsh. It’s now i regretted not bringing a ladder. The stages at festivals are very high, usually with a camera platform in front at half the height for the TV guys. This makes a ladder quite important but the trouble it I absolutely hate shooting from one because I feel far less mobile (ok, it’s not that hard to get down, pick it up and move it but it is far less fluid). However on this day, my lens was just above the camera deck which the rain was bouncing off and the wind was blowing straight into my face (lens).

An iPhone picture of the camera stage - look at that rain!

The rest of the day was just as bad and after shooting “Two Door Cinema Club”, “Jeff Beck” and “Pixie Lott” I decided to call it a day (not just because of the rain).

Pixe Lott wore very little but it was tipping down with rain!

The headliners on Sunday were “Kasabian” but before them were 2 bands I wanted to shoot but decided not to due to restrictions imposed. One band restricted any images that we shot were only to be used for up to 60 days. That is fine for a newspaper but for a photographer working for a news agency it is far too restrictive (and very difficult to manage). The second band required all photographers to forward CD’s of all the images within 3 days so they could use them for free. It could be argued that this is fair enough and had the manager walked in or phoned and asked politely for a few I would have no doubt sent a couple over but adding this into a legal contract it just struck me that this well known band did not want to pay for a photographer to supply images for their website (or merchandise).

I would have therefore been in the position of sitting around for a couple of hours in a wet tent and paying out for another night in a hotel to shoot one band. One of the measures I watch very carefully is the “production cost per image” which includes all expenses, business costs per day, equipment etc etc. Had I stayed another night, the “cost per image” for this weekend would have increased dramatically. That couple with the rain is why I left.

Whilst on the subject of contracts, it was imposed restrictions on press agencies that led me to not shooting “Kings of Leon” (who always restrict agencies) or “Foo Fighters” (up until an hour before we were expecting to shoot them).

So there it is, coverage of a 3 day music festival with no headline acts…