Model Releases – Do photographers need them?

I recently had a bit of a “problem” with an attendee of an event I covered. This person was not happy that I had images available for sale that they were featured in. I always like happy customers and prospective customers and so I removed them from sale.

However, this person was actually mistaken in their thoughts. Instead of going into this myself, I would like to point you to Dan Heller’s blog which really covers the important points. He mentions an important court case:

“The legal case that established precedent for this was Corbis vs. James Brown, where the judge called the depiction of a photo as being for sale a “vehicle of information”. Here, consent from a subject is not required”

There are of course cases where a release is required; any advertising or promotional images require releases. The difficulty though is working out when an image is art, an advert, editorial or even an advertorial.

If you have any questions about “can a photographer sell images of me”, please read it and follow the links.

The Bang Bang Club.

To be released in the UK on 3rd of October as a DVD…

The Bang Bang Club OFFICIAL US TRAILER
Runtime
2:16
Views
64,728

I’ve heard good reports about this film, essential viewing for anybody interested in photojournalism I think.

Bill Gates v. Photojournalists

I’m going to make the effort to add more links in on this blog to articles about photography and photojournalism I find interesting.

This first link describes the battle a number of war photojournalists are having with Corbis. At the end the writer does disclose that he has worked with Aubert in the past. However, the court cases, facts and figures all point to what can only be considered a story on corporate greed and dishonesty.

“ Photojournalism, the risky business of capturing images of war and other historic events, is under financial pressure like other aspects of journalism. Some photogs were encouraged when billionaire Bill Gates put himself in the picture in the 1990s, but that has not developed as some had hoped, reports Don North.”

Bill Gates v. Photojournalists

News gatherers as evidence gatherers?

I posted this link on my personal Facebook page last night and it ignited a discussion, one that I think is important and requires far wider debate and understanding.

 

BBC, ITN and Sky News
give riot footage to police

In short, as the headline says, a number of media organisations have been forced by the police to hand over (unused) footage of the recent riots in theUK.

As a news gatherer this concerns me greatly. Reporters and Photographers operate in a number of environments;

If we consider the riot, the law has already broken down, to those rioting its almost “anything goes”, crowds move and the environment changes so fast that it is already a dangerous place to work. I really admire the guys who do this, putting themselves in harms way. Quite a few were attacked and had equipment stolen. Should they be working under the additional pressure of knowing that any rioter may see them as part of the law enforcement and attack them?

How about the peaceful protest and march? Along with my other journalists I often move through the body of a march; we are trusted, we are needed to spread the message, to get the subject into the media. Could this change? It would only take one or two in a crowd to take umbrage and the journalists  in the march could be in trouble.

Social documentary – reporters become trusted, it takes time to build that up. It only takes one publicised handing over of evidence to shatter all that trust.

I am over simplifying things here but it is clear this is an issue for wider debate and that the understanding of the public vs the understanding of news gatherers is totally out of sync.

For example, one point was made on my FB thread “not at all, given that their 24 coverage of the riot caused most of the copy cat outbreaks” and “if they hadn’t shown the police being overrun then other scum bags wouldn’t have had a go. it’s social responsibility.”

Thats a worrying thought. It’s clear to me that the press did not cause the riots and news would have spread if it had not  - all the pictures and videos of the riots would have come from mobile phones via youtube and facebook/twitter if the press had been censored. Then there is the international press…

That is a digression though.

Lets forget the riots for a moment and apply the same “social responsibility” clause to another recent news item The News of the World phone hacking scandal. Could it be argued the Guardian should have handed evidence over to the police earlier? If so, would it have kept digging? Would the police officers involvement been uncovered or buried?

Of course all journalists would volunteer evidence that they knew to be evidence in a way that would protect their sources; in many cases it is news investigations that have led to the major trials and scandals of our times. I am not not saying that this should never happen, my point is there is a HUGE difference between actual evidence and possible evidence with a chasm between giving and demanding with a court order. Also let us not forget that the European Court ruling protects media source(s).

There are so many threads and arguments to this discussion, far to many for me to add here so I will close on one final question.

“Hundreds of police officers are working through about 40,000 hours of CCTV footage in stations across the country. In London, Met officers are believed to be studying more than 20,000 hours of video at 30 viewing facilities.” . We have more CCTV cameras than any country in the world. We are the nation most watched by our authorities.  Do they really need this extra footage? If they do what is the point of all this CCTV?

CCTV

Real Steel, with Hugh Jackman

You may have noticed that this blog has been devoid of any Film Premiere entries for quite a while (if you ignore last months FrightFest). 

The reason? Westminster Council have been refurbishing Leicester Square ready for next years Olympics. Most people would assume that this would be done in stages, maybe a section at a time, minimising the impact on the use of the square and the business within it. When you think of the amount of trade the cinemas bring into the square and its surrounds you would have thought the council would have worked with them, ensuring that the square was able to continue hosting premieres. No. For the past approximately 9 months the square has been in such a state of upheaval that hosting a premiere has been almost impossible. There has not been enough room. In fact for much of the time it has been a struggle even for pedestrians a tourists to navigate the area without having to avoid diggers, dumpers and other plant.

Boxer Amir Khan

During this time the film industry had no choice but to seek alternative venues with the prime benefactor being The Vue inside Westfield Shopping Centre.  I'm sorry but a shopping centre just does not cut it. Even Tom Hanks seemed somewhat bemused at the location.

Titan the robot meets the fans

We I'm glad to say that is changing again. Today the barriers were moved back away from the front of The Empire and the square was once again able to host a major premiere - "Real Steel", a Disney film featuring boxing robots and Hugh Jackman.

Hugh Jackman meets fans

It felt good to be back in the square, there was a great atmosphere and Hugh was obviously enjoying himself at what he referred to on stage as his "family screening" with over 30 members of the Jackman clan in the cinema.

Hugh Jackman with robot Titan

Hugh was joined on the carpet not only by the director, Shawn Levy but also a robot called Titan.

Director Shawn Levy

Lets hope the contractors get their fingers out and complete the works so the square can return to its rightful place as the premiere location.

Official UK Air Guitar Championships 2011

It was good this year that after the final being held in London last year, the final of the Official UK Air Guitar Championships moved back to Concorde 2 in Brighton. I attended last Friday (the 9th) for the 3rd year running.

Egg Salad (aka. Jamie Van Allen)

Its a good fun event lasting for about 3 hours where a mixture of people get up on stage and “strum as though their lives depend on it”. It starts off with heats where newcomers must prove themselves and earn their place in the second round.

The Bandit (aka. Guy Thompson)

The winners of each heat are chosen by the audience – those getting the loudest cheer win!

18th UK Air Guitar Championship

In round 2, the previous champion along with the other champions from the UK joined in having to perform within “the cage”

Love Rod (aka. Juice FM's Guy Lloyd)

The numbers are gradually reduced down for a 3 way final which this year featured the 2010 champ “Eddie Six Strings”, the Welsh champ “Air Venging Angel” and the eventual winner “Smoky Van Porno”

2010 Champion Eddie 6 Strings, Air Venging Angel and Eventual winner Smoky Van Porno

Winner Smoky Van Porno (aka. James Crouter)

You may see my full gallery and purchase images of the event here..

Wedding #1

This weekend I broke a self made rule: from day one I always stated I would not photograph a wedding. I’ve lost count of how many have turned down.

Earlier this year Michael, a guy I went to school with and who I have not seen for over 10 years contacted me and asked me if I would shoot his wedding to his fiancee, Jane.

I said “No!”

We chatted for a while, he said he had been keeping an eye on my work for ages and when Jane showed him some websites of journalistic style wedding photographers he thought of me. By the time he got round to it being very small I was weakening and suggested we all meet up to discuss.

Well at the lunch a few months ago, we all got on really well and I loved their chemistry, they fitted so well together. So I agreed and this led to last Saturday and their wedding in Newport Pagnall. I visited the church and the location for the evening meal well before to check the location, light and angles. Working with 2 cameras (one on remote on the gallery) I worked alone, covering the preparations and waiting of the groom and best man, the arrival of the bride, the service and finally the reception.

Jane Arrives

Walking up the Isle

A set on monochrome and colour images were delivered the next day via my secure site.

Signing

The experience of the weekend has changed my mind regarding weddings. Sharing the joy of a happy couple, helping them save their memories for the rest of their lives is hugely rewarding. No it’s not easy, yes it’s stressful but the rewards outweigh these.

The happy couple

With the current vogue for journalistic style wedding images, I will no longer say no. I will say yes to those couples with whom I feel an affinity with and whom have an affinity with my work. As I have said before, every photographer has a style, it might evolve but a photographer cannot change their way of seeing. I cannot change my way of seeing. I cannot produce stereotypical wedding photographs but if you like my style, like what you see here and fancy chatting over coffee or lunch, I’d be happy to discuss your plans.

The laughing couple

 

Frightfest 2011

Film 4 Frightfest 2011

August Bank holiday weekend and whilst many of my colleagues were at Reading and Leeds festivals, I was official photographer at another, altogether different festival: Frightfest. It’s my 3rd year photographing this festival and my 2nd year as the official photographer.

Doing PR.

The weekend started on the Thursday evening with a premiere of “Don’t be afraid of the dark” and run through to Monday evening with the time being filled with over 35 films (many of them premieres),  Signings, Question and Answer sessions and Media interviews.

Director Robin Hardy signing.

Pollyanna McIntosh signing after the UK Premiere of the controversial film "The Woman"

As the photographer I needed to make sure I was at every media photo-call (media wall) , capture as many introductions and Q&A sessions as well as general atmosphere. This involves long hard (over 12 hour days) but with the clients, guests and attendees all being both fun and interesting, it’s not arduous at all.

Checking the programme (which featured a number of my images form last year)

Pollyanna McIntosh

As I said, many intresting characters. This years “icon” was American producer, writer, director, and actor Larry Fessenden:

Larry Fessenden

As with last year, I am preparing a photo-book which should be ready in a day or two. (Last years available here). You may see a set of photos from this year here…

Today I am preparing for a reportage style wedding shoot on Saturday. More on that next week.