Lostprophets play Brixton Academy

Firstly, I apologise that at the moment this has just become  a stream of recent shots with little explanation; I have been working flat out and have little time to formulate the writings I have in my head. They will follow soon.

On Friday 4th May, Lostprophets finished their UK tour with a date in Brixton supported by Modestep.

Josh Modestep plays to the Brixton Academy crowd.

They were a good (but very loud) dub step band.

Lostprophets performed with a lot of back-lighting and strobes making my job just a little tougher…

Lostprophets "frontman" Ian Watkins

You may find a full set of my Lostprophets and Modestep images for license here: Lostprophets images on Photoshot.

May 5, 2012 | Posted in: Music | Comments Closed

White Rabbits play XOYO

Photographing a band called “White Rabbits” on the 1st of the month had a nice ring to it.

The venue was XOYO near Old Street in London. My thoughts on this venue is that the sound was good making it great for watching/listening to a band but with mainly overhead and backlight, not great for photographers.

 

The support act was Sunless ’97, a London band I have been unable to find out much about (other than their soundcloud),  the light was almost non-existent for this act.

Sunless 97 play XOYO, London on 1st May 2012. Persons pictured: Edward Leeson, Matt and Alice

My photographs of Sunless ’97 may be licensed here: Sunless 97 play XOYO

 

Having just subscribed to Spotify I was able to listen to the White Rabbits before travelling and I was looking forward to this gig. The band did not disappoint and it was a pity I had to leave early to get home. I can recommend seeing this band live.

Six-piece indie rock band White Rabbits play XOYO

My photographs of White Rabbits may be licensed here: White Rabbits play XOYO

 

 

May 2, 2012 | Posted in: Music | Comments Closed

Graham Coxon plays Concorde 2 in Brighton

On 23rd April 2012, Graham Coxon and his band played Brighton’s Concorde 2 on Madeira Drive.

Ex-Blur guitarist Graham Coxon plays Concorde2, Brighton on 23rd April 2012. Persons pictured: Graham Coxon. Picture by Julie Edwards

My images of Graham Coxon’s gig are available to license from PhotoShot: Graham Coxon plays Brighton

 

 

April 24, 2012 | Posted in: Music | Comments Closed

Twin Atlantic play KoKo in London

This blog has been rather sparse, so I have a new policy now which will ensure there are always updates showing a shot from a recent job with links on where to license.

Twin Atlantic played KoKo in Camden Town, London on 17th April 2012.

Twin Atlantic play KoKo in Camden Town, London on 17th April 2012. Persons pictured: Sam McTrusty (lead vocals, Lead guitar). Picture by Julie Edwards

Images from this gig may be licensed via PhotoShot: Twin Atlantic play KoKo.

 

 

April 17, 2012 | Posted in: Music | Comments Closed

Some recent work

Anthony Daniels who played C3PO in all 6 Star Wars Movies with a Lego model of his character at Star Wars Episode 1 3D at The Empire, Leicester Square on 8th February 2011

 

Daniel Radcliffe signs posters before introducing a screening of The Woman in Black at The Empire, Leicester Square, London on 11th Feb 2011

 

Kaiser Chiefs play the HMV Apollo Hammersmith on 23rd Feburary 2012.

 

Athlete Ed Moses attends the Sport Relief Mile 2012 at the Royal Parks

 

Actress Kate Winslet attends the World Premiere of TITANIC 3D on Tuesday 27th March 2012

Hop Farm: The stuff of legends!

The first weekend in July saw me at Hop Farm for what can only be called a line up of legends (with thanks to another photographer who had double booked).

The Friday included Death Cab for Cutie, Ocean Colour Scene and Bryan Ferry who were all fairly easy to shoot, from the pit. As to be expected in a line up of such stellar proportions, not all the artists were as obliging, the first on Friday being Brandon Flowers (of The Killers fame). It was not really a surprise that Brandon allowed 2 photographers to shoot from the stage and the rest had to shoot from the crowd as this was how The Killers were shot the weekend before at Hyde Park. The following was shot from the crowd (the first time I have ever shot from the crowd).

Brandon Flowers

The Friday night headline act were also the same, allowing no photographers in the pit so here the option was in the crowd or from the sound desk.I opted for the soundesk so I could see for Sunday night’s show.This was both a mistake and a blessing. A mistake in that we were so  far back and too low to be able to shoot cleanly over the mass in front of us but a blessing in that this crowd were in complete contrast to the earlier crowd (and Sunday’s) in being aggressive and abusive to my fellow photographers who had chose the crowd option; it seems many people do not mellow as they get older! (I understand the fact that they have paid but with their help we only need to be a few minutes). I am not posting an image of The Eagles as I am not personally that pleased with them, instead you can just make out my colleague Andy shooting from the desk here with all the crowd and a nice sunset. It gives you an idea of how far away we were.

Shooting from the desk

 

I’ve failed to mention that the weather was clear and sunny giving plenty of opportunity for other festival type shots during the day.

Dozing in the sun

Saturday was where the legends really lined up for example with Lou Reed, Patti Smith and a particular favourite; Iggy Pop. For Iggy I made a decision before the set that I wanted to get real close up images to try and portray the energy that goes into his performance. I based my whole shoot on this, picking my spot and not moving; nervously waiting for the moment. Would I be right and would it pay off? You decide:

Iggy up close with a very wide lens.

Headlining Saturday was Morrisey who gave a good performance which included belting out a number of The Smiths hits.

Morrissey

Sunday brought me nice shots of Imelda May and Eliza Doolittle before what has to be billed the event of the weekend – Prince. He had not performed in the UK for a few years and I believe this was his first ever festival appearance.  Over the day the press area filled with photographers with long lenses from well known large news agencies who are not normally interested in covering artists at smaller festivals like this. No surprises that the choices were to shoot from the crowd or from the desk. No contest and a number of us de-camped to the crowd a number of hours before Prince’s set skipping both Tinne Tempah and Larry Graham.

By the time Prince walked on stage the arena was packed! Shooting from such a packed crowd was a nightmare but the decision was defiantly right. Shots from the desk usually lack that “spark”, even when the artist gives a performance as stellar as this and looking through the papers the next day this was defiantly the case; many shots of the artist behind the microphone.

This was without doubt one of the most exciting gigs I have ever photographed; Prince was amazing, the crowd were very understanding and Hop Farm was a great venue.

Hop Farm is definatly on my list for “must do” next year – the event, location and PR team were great, all weekend and Prince as a headline has definatly put it on the map.

I can only  finish off with a picture of the man himself..

Prince

 

Hard Rock Calling

This weekend was “Hard Rock Calling”; one of a series of live music events that take place on Hyde Park over the summer.

The event started off on the wet Friday afternoon but the crowd were not going to let that dampen their sprits. The main acts were James, Kaiser Chiefs and Killers.

A wet crowd enjoy Kaiser Chiefs

Ricky Wilson of Kaiser Chiefs

The main act on the second stage were The Kills. Many of the reviews the next day described Alison as the sexiest front woman of the moment or the band as the sexiest at the moment. I have to agree with them. The back lighting made them very difficult to photograph but i think this image captures the moment.

Alison Mosshart ("VV") of The Kills

Saturday was dryer and started far earlier.I started with Vintage Trouble on the main stage. Walking up a number of other photographers were saying that this band had appeared on BBC’s Jools Holland show a while before and they were really good. I have to agree, they are really worth checking out.

Ty Taylor of Vintage Trouble

Later in the press tent (which apart from being too hot on the Sunday, was really excellent with great hospitality for the press) we were treated to an acoustic performance by the band after they did an interview. One of the hi-lights of the weekend, working, editing pictures with a great live acoustic set going on..

Another new band for me were in the second tent; Evaline whose frontman Richard Perry almost took my head off at one point as he jumped from the stage to the audience.

Richard Perry of Evaline

The main stars of the show were of course Bon Jovi, By this time the sun was out, the skys were blue and the audience and sky were reflected perfectly in Jon Bon Jovi’s mirrored shades.

Jon Bon Jovi

On Sunday the sun really shone and the press tent warmed up! (well thats my excuse for a beer or two along with copious amounts of water as I worked). As a photographer, sometimes you have to work hard to get interesting images, sometimes you get performers that work so hard on stage that the images are there, its just a case of timing, reading and positioning. Adam Ant was one such performer, sticking all his old poses and putting everything in.

Adam Ant

Adam was followed by Stevie Nicks who was a little harder work (but sounded amazing). The real issue of the day though was shooting Rod Stewart, the headline act. It had been decided that Rod was to be shot from the sound desk which with it’s limited room meant only a few would be able to shoot. The ridiculous thing was that after deciding all this, Rod appeared on stage to introduce Stevie and so of course, we all got our shot. Why he was happy to be shot close up introducing but not performing is anybodies guess. Made a mockery of the sound desk shots really, (except from the sound desk the shots can be of the whole stage / lighting ).

Rod Stewart

All in all a good 3 days. Next weekend, Hop Farm…

 

 

 

 

Isle of Wight Festival 2011

Logistically, this festival is a nightmare; it’s on the island so there are limited ways to get there and it’s miles from all the ports. I’ve never been so I snapped up a late accreditation which of course meant all the nearby hotels were fully booked and the others I enquired at asked for “silly money”.

Travelling a distance every day by public transport (I am determined where possible to travel by as environmentally friendly means possible) required a few compromises, the first of which was not taking a ladder (more on this later). My hotel was in Portsmouth and I would travel back and forth on the Portsmouth-Ryde ‘fastcat” (this was still cheaper than the Isle hotels quoted).

Arriving on the Friday, the first band I photographed were the openers on the main stage “Big Country”.

The rest of the afternoon was spent shooting acts on the “Big Top” Stage or in the media centre, leaving fairly early as I would not be shooting “Kings of Leon”. I particularly enjoyed “Imelda May”; her performance, style and music went down really well.

Imelda May performed great music with class and style.

Weather-wise, Saturday was by far the best day and again I started on the main stage with “Stornaway” and spent the day being ferried between the 2 stages, the hi-lights were really;

Stornaway opened the main stage on Saturday

The Vaccines in the "Big top" played some good old fashioned rock.

Seasick Steve is a festival favourite

Iggy Pop might be looking old but he is still a great live performer and knows how to get the crowds going!

I finished off the day on a high with “Pulp” (Jarvis Cocker really on form).

Pulp!

Jarvis Cocker is on form

Sunday was awful wind and rain (at times torrential rain). With heavy coats and plenty of plastic wrapped around the camera in a vain attempt to protect it I went out to the main stage to shot James Walsh. It’s now i regretted not bringing a ladder. The stages at festivals are very high, usually with a camera platform in front at half the height for the TV guys. This makes a ladder quite important but the trouble it I absolutely hate shooting from one because I feel far less mobile (ok, it’s not that hard to get down, pick it up and move it but it is far less fluid). However on this day, my lens was just above the camera deck which the rain was bouncing off and the wind was blowing straight into my face (lens).

An iPhone picture of the camera stage - look at that rain!

The rest of the day was just as bad and after shooting “Two Door Cinema Club”, “Jeff Beck” and “Pixie Lott” I decided to call it a day (not just because of the rain).

Pixe Lott wore very little but it was tipping down with rain!

The headliners on Sunday were “Kasabian” but before them were 2 bands I wanted to shoot but decided not to due to restrictions imposed. One band restricted any images that we shot were only to be used for up to 60 days. That is fine for a newspaper but for a photographer working for a news agency it is far too restrictive (and very difficult to manage). The second band required all photographers to forward CD’s of all the images within 3 days so they could use them for free. It could be argued that this is fair enough and had the manager walked in or phoned and asked politely for a few I would have no doubt sent a couple over but adding this into a legal contract it just struck me that this well known band did not want to pay for a photographer to supply images for their website (or merchandise).

I would have therefore been in the position of sitting around for a couple of hours in a wet tent and paying out for another night in a hotel to shoot one band. One of the measures I watch very carefully is the “production cost per image” which includes all expenses, business costs per day, equipment etc etc. Had I stayed another night, the “cost per image” for this weekend would have increased dramatically. That couple with the rain is why I left.

Whilst on the subject of contracts, it was imposed restrictions on press agencies that led me to not shooting “Kings of Leon” (who always restrict agencies) or “Foo Fighters” (up until an hour before we were expecting to shoot them).

So there it is, coverage of a 3 day music festival with no headline acts…

Snoop Dogg

By the time I manage to publish this (I am writing this on a plane, travelling to Dresden to discuss rectified photography and photogramatry software), Snoop will have played a number of gigs on his UK tour, a tour which kicked off in Brighton on Sunday 15th.

I last photographed Snoop about a year ago in London at the Shepards Bush Empire. That was a shoot that I enjoyed very much (great light) and I had images published widely. It’s fairly obvious that I would be keen to photograph him again.

It was only a couple of hours before the stage time that I was actually notified I was “in” and I had to rush to make it in time to shoot the support act “Maverick Sabre”; an up and coming act that’s getting a lot of mentions on radio at the moment.

Maverick Sabre plays the Brighton Dome

When it came to Snoop we were not disappointed; although it is not my kind of music, the gig did “bounce” and I did come away with a number of nice images (well I think they are).

Here he makes his entrance (it’s my favourite shot although not one I think will publish very well)

Snoop Dogg plays the Brighton Dome

The remainder are what you would expect; portrait, a 3/4 and finally a full length (with a bit of a boogie thrown in).

Snoop Dogg plays the Brighton Dome

More when I get back from Dresden…..