European Premiere of Dark Shadows

So, at last! Its back to Leicester Square – the newly refurbished square (well its not quite finished). The event seemed to far far more room than before and it felt really good to be back.

It was a case of quality not quantity with this event with a few stars turning up, but those that did were….

Actress Eva Green

As you can see, I was on the carpet, with VIP access.

Actress Michelle Pfeiffer signing

The atmosphere was great, with many fans having arrived at ^AM and waited in the pouring rain.

Actress Helena Bonham Carter

Of course, the film is another collaboration between Tim Burton and Johhny Depp

Actor Johnny Depp

A complete set of my images of European Premiere of Dark Shadows can be licensed from PhotoShot here and here (they are split in 2 sets).

May 10, 2012 | Posted in: Celebrities | Comments Closed

Gala Screening of All In Good Time

A Gala screening for “All In Good Time” was held at the BFI Southbank on  Tuesday 8th May.

Due to the trains running late (a “Bridge Strike”, Broken rail AND Broken down train), I arrived just as the first guests (Actor Reece Ritchie – Prince of Persia: Sands of Time) and Actress Amara Karan (St. Trinians) were being photographed.

Actor Reece Ritchie and Actress Amara Karan

The blurb about the film says:

When their hard saved for honeymoon is cancelled the day after the wedding, the newlyweds have no choice but to return to the Dutt household and set up home there.

As prying family members and gossipy neighbours conspire to keep the couple from consummating their marriage, Atul and Vina start to panic. But if they can just keep their situation private, and if they can just get a bit of time alone, all could be saved for this pair.

So with meddling parents, nosey neighbours and a community that thrives on gossip, can their marriage last?

Well, they look quite good together here, so who knows…..

Photos from the Gala screening of “All in Good Time” can be viewed and licensed from PhotoShot: here.

Some recent work

Anthony Daniels who played C3PO in all 6 Star Wars Movies with a Lego model of his character at Star Wars Episode 1 3D at The Empire, Leicester Square on 8th February 2011

 

Daniel Radcliffe signs posters before introducing a screening of The Woman in Black at The Empire, Leicester Square, London on 11th Feb 2011

 

Kaiser Chiefs play the HMV Apollo Hammersmith on 23rd Feburary 2012.

 

Athlete Ed Moses attends the Sport Relief Mile 2012 at the Royal Parks

 

Actress Kate Winslet attends the World Premiere of TITANIC 3D on Tuesday 27th March 2012

The Democratic Republic of Congo with CARE International UK

SAT 21st JAN 2012 – 22nd: Overnight London to Nairobi

 

This trip is without doubt the job that has produced the most polarised views, from “that will be an adventure” to “you realise you are going to the most lawless, corrupt and dangerous country on the planet”

 

From what I have read before the trip and the reactions, it is quite clear that the general west has decided that the Democratic Republic of Congo (DRC) is not worth the effort. There is an almighty UN presence (as I will find out) and an inordinate number of NGO’s operating here, but the general public? I am writing this sitting in Nairobi airport waiting for our transfer to Kigali (Rwanda). I hate night flights, the only part of me that managed to sleep was my feet. Apart from that all I got was a cricked neck. Passing the time and flicking through the Kenya Airways in-flight magazine I could not help but notice the mention of east and west coast African countries but the only mention of the heart of Africa was the Kenya Airways office locations.

Kenya Airways 777

The sunrise as we landed could only signal one location; the red skies, the mists, the banyan trees – Africa. I suddenly felt wide awake! The flight to Kigali were trouble free, as was the border crossing. Well trouble free for us, less so for our cases, which remained in Nairobi. Still, our driver says he can return tomorrow to collect them.

 

The 3 hour drive through Rwanda is both one of the most fascinating and frustrating things I have done. The sights, the sounds, the colours! Only there was no stopping to photograph as we were already running late due to the cases. I would prefer to take 3 days over this journey, not 3 hours! The DRC border with Rwanda at Goma is straight out of a film; hut on the Rwandan side, paperwork and passport stamped out of the country, walk around a barrier, through no-mans land, another barrier, more stamps and paperwork and we are in…

 

Our hotel is 3 minutes from the crossing and after a shower and sleep I tuck into skewered captains (fish from the lake Kivu on which the city of Goma is situated).

 

MON 23rd : CARE International DRC and Goma.

 

A great nights sleep, waking before the alarm giving me time to shower and check out the cameras before breakfast.. Cheese, dry bread and a good strong Arabica Coffee.

 

Sitting in the hotel drive awaiting our lift I could not help but feel this is NGO city; UN, OXFAM, SAVE THE CHILDREN etc, white 4×4 after white 4×4 pass the gate separated only by locals on motorcycles. The CARE compound is everything you expect of an NGO compound in an unstable state; big steel doors, razor wire atop the surrounding walls and security guards in bright, smart outfits. We attended the morning meeting where we were introduced to the team and then Deborah (CARE press officer) gave a presentation about CARE International UK before heading off through the centre of GOMA and out to a health centre.

 

2 children hold each other on a street corner in Goma

At first we started along a wide dual carriageway with a grass strip but a couple of roundabouts later, on increasingly narrowing and busy roads, the tarmac was replaced by lava. Goma is situated between 2 mountains and the road we were driving along was the path of the lava flow during last eruption in 2002. The city is like no other on earth; buildings (if they could be called that) are built from lava, wood and corrugated steel and built directly on the lava. Vendors sell from mats, shop fronts, tables, wherever they can. Goods are carried on heads, heavily loaded motorbikes, cycles or the locally made wooden scooters “Tschukudus” which are pushed along by hand. The amount that they manage to load on a bike is staggering, I’m quite sure I could not balance the load, let alone push it along.

 

With the number of white NGO 4×4′s around I would have expected maybe a little less staring and intimidation than I felt from time to time. Of course, for us, stopping is out of the question so as we drove along I was snatching pictures through the open window of the 4×4.

 

The lava gave way to dirt track as we headed up the mountain to the health centre “Centre de Sante de Kanyaruchinya”.

 

The DRC is very hierarchical and our first meeting is with a head nurse. We are here to talk to patients but his story was no less amazing; I guess that in the DRC, everybody has been affected by the fighting and I’m sure every survivor has an amazing story. The nurse gave us some figures. Even though the fighting has mainly ended, in December this centre has had 4 new rape cases and “Heal Africa” another 15; this problem is still endemic. Last year the red cross reported 250 cases.

Head Nurse

We interviewed and photographed 3 women, all attacked when working in the fields by combatants, all now having no jobs, all supporting children. I cannot really add any more then this at the moment – I just do not know how they cope or live… but they do.

 

Back at the compound we saw the materials that CARE are providing to locals to teach about rape and how the survivors should be supported. At the moment this is part of the problem; the survivors are outcast, from their families, villages and friends. The key to CARE’s work is getting the community to help itself. They educate “relays” who go door-to-door in each village, educating and spreading the word and at the centre we witnessed the education of relays about a forthcoming vaccination program.

 

TUE 24th : CARE International DRC and Goma.

 

A quiet knock on the door at 6AM; the bags have arrived – YAY! I was so excited; shampoo, clean clothes etc. I opened the case and a thought dawned on me: apart from the photography kit, I have managed so far, why do I need all this? The creams, the lotions, the stuff we use everyday. That said, I enjoy a shower with my stuff, put on clean clothes and head off to breakfast and then the CARE compound.

 

After CARE’s daily meeting we sit down with security to discuss tomorrows trip. The atmosphere is a little tense; the road we will be travelling down is insecure, the city we are visiting is ok. NGO workers are not normally targeted in The Congo so it should be ok. I talk it though with Deborah and she runs though car-jacking basics with me. If CARE security says its ok, then its ok, we go.

 

About 20 minutes later the security guy comes back, his body language is totally different. One of the villages we plan to visit is unstable and It’s now clear we should not be going. Our host Bronwyn heads off to find a new destination for our trip and comes back saying we should visit Masisi. An IDP (Internally displaced persons) camp is seeing new arrivals and another very interesting project. But that is tomorrow.

 

The main lava floe from the volcanic erruption in 2002.

Today we are off further up the volcano to visit 2 families and ex-combatants. Even traveling as a passenger in the 4×4 for an hour or so is difficult (and a great workout for the abs), consider then how hard the driver is working or even more profound, how hard for the locals pushing their goods along the same “roads” on cycles and scooters.

 

We meet the first combatant at the village administrators’ and he is obviously wanting to make a good impression; smart tie, shirt, impressive belt. We drive to his home (another hard 30 minutes) past the parcel of land he has purchased with the profit from his new business on which he will build his new home. We gathered in his current home with his wife while the rest of the village and children took an interest from outside. I asked the translator to check it was ok to photograph them as they talked as I had the feeling they would both be quite animated; it was a good move. Although dark, the light coming thought the door was of a great quality and I positioned myself to make the most of it, getting images that I feel really represent the couple. After the interview I took a couple more frames outside with their kiosk and with their goats as the story is how CARE trained and supported the couple to start a business. Completing the visit with a few shots of the locals we bid our farewell.

An ex-combatant stands on his new parcel of land.

The relationship between the next couple could not have been more different. Another long term ex-combatant (a commander of over 700 men) helped by CARE to start a business and (as he very proudly stated), able to put his 7 children though school. After the interview at their home (again photographed as they talked) he took us to the location of his business, tyre repair, just off the side of a busy street. The room was very dark and not the easiest to work in. Whilst I was inside Deborah and Bronwyn were attracting a fair amount of attention in the street which only increased as we headed back to the 4×4. I managed to shoot a few street scene images before too many gathered. The camera was being treated with a great deal of suspicion so we moved off before it got too intimidating.

 

On the way back to the hotel we ate absolutely amazing humorous and falafel in a bar that looking at, you would not touch with a barge-pole. Local knowledge is a wonderful thing and Bronwyn ordered us 3 fresh strawberry smoothies that were fantastic. After that it was a quick glass of wine by the lake (Kivu) at a hotel. It was hard to digest the difference that walking 50M through the hotel grounds had made; from the broody dirty streets of Goma I now may as well have been sitting in a bar on the banks of Swiss or Austrian lake. It was not only the view; the luxury, tables and service was all up there. Was I really still in Goma?

 

WED 25th : An amazing barber and travel to Masisi

 

We checked out of our Hotel – the grandly named “VIP Palace” to head off on our field trip.

 

The first port of call however was Florence – the first and only female barber in the DRC. Florence’s Barbers shop is in the heart of Goma, only a few minutes journey from the hotel. What can I say, an absolutely amazing, inspirational woman. I walked away thinking we HAVE to get this story published, it’s astonishing and will provide a lot of hope to women in many walks of life. I will not go into the full story here as I wish to work with Deborah to try and get the full story out. All I will say is Florence was raped by ex-combatant’s (she still walks with a limp) and a CARE project took her from the streets, she chose to train as a barber (the only female, training with ex-combatants), started the shop and is now provides barber services to both men and women. The thing is she is the most joyous woman, smiling, laughing and making us laugh whilst she told her story. Amazing!

Florence: the first and only female barber in Goma.

As I write this can hear the chatter of children, singing, the chirping of birds. I am sitting outside the CARE guest house in the city of Masisi. Not really the western image of a city; huts and shacks with very few rick buildings built on the side of the hills. With all the 4×4′s back at their base and the motorbike riders back at home, all I can hear are the sounds of “life”.

 

The journey was about 3 hours over rough tracks, I sat in the front and as ever tried to photograph from the window as we drove. I desperately did not want the typical “staring into the camera” image of poverty that is so typical of the poorer parts of Africa. These are a proud, hardworking people and I wanted to show this. Working from a speeding, bumping 4×4 is not easy; All I could hope for as I worked was that a number of the images would be sharp enough.

We ate food prepared for us by the house keeper; beans, rice, cabbage and beef – it was very, very good and perfect after the journey. The house is quite basic and although we will have power for a few hours each evening (by generator), I am not sure wether it will be long enough to fully charge all the batteries. This is one of the reasons I use the AA battery adaptor for the Nikon, I can always carry a batch of AA batteries (and you can be sure to locate them anywhere). I am offered a bucket of hot water for bathing (no running hot water), its a first for me but not a problem and I and am grateful to wash away the dust that coats me after the journey.

 

THUR 26th : Village life, IDP’s and a camp.

 

This is one of the most difficult entries to write; today consisted of just too many new sights, sounds, experiences and emotions.

 

Early to bed meant early to rise: just before 6AM to be precise and I sat alone with a coffee listening to the sounds of “life” awaking and watching the mist clear the valleys, gradually revealing lower and lower hills just like the tide retreating at home.

Masisi Awakes..

We set off before 8AM driving down through the city towards the village of Kanii. Down and down to the valley floor on smaller and smaller roads and then back up the other side on tracks that were smaller than footpaths and bridleways in the UK; it gave me a new understanding of what our 4×4 (a Toyota Landcrusier) was capable of and I have to say our driver Senzuki was amazing.

 

We arrived at the village and were greeted by the Administrator. As Deborah and Bronwyn held their first meeting, I wandered around the village, followed by a trail of children demanding to see the image of the back of the camera after every shot. The response to the camera was interesting; some adults hide faces, some don’t, some look on suspicious. Even the children react in different ways; some try to get in every shot, others running for cover. The only common thread is that almost everyone wants to see the image on the back. I am not really sure if it is shyness or something else.

 

I seems that in general the light is great and I am really pleased with my portraits of our subjects and the shots of general village life.

 

Next we were off to an IDP camp. Just over 2km from the camp a bridge was “out”. Jumping up and down on the middle, our driver was sure it was safe to drive across (they do not like defeat) but we felt otherwise and so walked the final 2km up up the hill to the camp in the humid heat. A little light relief presented itself in the form of Deborah thinking a local woman was admiring her bag until she realised she was actually offering to carry it up the hill for her – I think the word was “mortified”.

Shelters at the camp.

As we entered the camp we were swamped: it was a bit of an embarrassing “Princess Di moment”, especially as we had nothing with us; we were just here to talk. Getting shots close up to people here was very difficult due to the crowd following me around and after an hour of wandering around “alone” I decided to join the others in the room where they were meeting to cool down and switch lenses. Going “long” had the desired effect and although its not something I like to do, I was now able shoot over and through the surrounding crowd and the shots took on a new dimension.

Fetching water

As we left the village we had a huge escort on foot “as you have made the effort to visit us, we want to make the effort to escort you to your vehicle” . Suffice to say the walk down the hill was far easier than the walk up.

 

Back at the house it was meat, beans, rice and vegetables before another bucket bath. Later, when the generator was switched on I charged up all the cameras and the laptop with no problem. I noticed some network cables and was unable to resist plugging in. Shock! No only do we have internet, its faster than the connection in the hotel back in Goma! I cannot resist a Facebook status update “Cannot believe I have the internet, I don’t even have hot running water!”. We upload a couple photographs of us in the field and then proceed to amuse ourselves with clips from you-tube. Bedtime we are invaded by very scary hornet type flying bugs 2-3inches in length with red, black and yellow bodies. Eventually we manage to eradicate them and get to bed, tucking the net in tight around the bed. Surprisingly I sleep well.

 

FRI 27th :  Travel back to Goma.

 

Setting off at 8am we try to photograph some market activity and see the chief administrator before leaving Masisi. Fail on both counts; the administrator has been called away and the market does not start until 10AM. We get our papers stamped and so all is well for the drive.

 

We decide to photograph a couple of shops that take the CARE voucher system (the key to CARE’s work is to empower the local people and economy and one method they use is instead of shipping in food, they provide vouchers that may be spent in local markets for the IDP’s to choose for themselves what they need). Walking through the street I am accosted by an elderly woman: she’s hanging on to me singing, dancing and clapping. It creates a bit of a stir and I really wish I could understand what she is saying. It is for some reason the most uneasy I have felt all trip. Shops done and its an uneventful 3 hour trip back to Goma.

Women carry heavy goods on their heads

After dropping our bags off at the hotel we lunch at the UN compound on the lake – a total contrast to Masisi. Bronwyn invites a friend and whilst I tuck into a Cheeseburger and chips we chat about the UK, trash television and food.

 

The afternoon was my time to give something back to the CARE workers who have looked after us for the week. I have prepared a short presentation on photography basics for them covering basic storytelling and image composition. They are really attentive, asking great questions. When I introduce the rule of thirds and suggest that most cameras have the option to display a grid when shooting, a number of cameras appear from bags and configured. I was also pleased with the reaction, feedback and discussion prompted by some of the images (all taken during the trip). The images of one couple was fascinating and obviously provoked the feelings I hoped for. A couple of the other images brought equally strong reactions and it was clear that my shots are on the right track.

 

With this it was time to say goodbye and head back to hotel and pack ready for the driver to collect us the next day for the 3 hour drive across the border and back to Kigali airport. All we could hope for was that our cases made it back to the UK with us.

 

Throughout the trip I could not help than be struck by not only the commitment of the CARE staff but also the fact that these projects work: they make a real difference to real people every day. In the UK we are definitely suffering with an Aid Fatigue and the image of all aid work being that of emergency work. My aim now is to ensure my work gets in front of as many people as possible to show that it does not take much to make a real difference to these proud people.

February 29, 2012 | Posted in: PR | Comments Closed

Real Steel, with Hugh Jackman

You may have noticed that this blog has been devoid of any Film Premiere entries for quite a while (if you ignore last months FrightFest). 

The reason? Westminster Council have been refurbishing Leicester Square ready for next years Olympics. Most people would assume that this would be done in stages, maybe a section at a time, minimising the impact on the use of the square and the business within it. When you think of the amount of trade the cinemas bring into the square and its surrounds you would have thought the council would have worked with them, ensuring that the square was able to continue hosting premieres. No. For the past approximately 9 months the square has been in such a state of upheaval that hosting a premiere has been almost impossible. There has not been enough room. In fact for much of the time it has been a struggle even for pedestrians a tourists to navigate the area without having to avoid diggers, dumpers and other plant.

Boxer Amir Khan

During this time the film industry had no choice but to seek alternative venues with the prime benefactor being The Vue inside Westfield Shopping Centre.  I'm sorry but a shopping centre just does not cut it. Even Tom Hanks seemed somewhat bemused at the location.

Titan the robot meets the fans

We I'm glad to say that is changing again. Today the barriers were moved back away from the front of The Empire and the square was once again able to host a major premiere - "Real Steel", a Disney film featuring boxing robots and Hugh Jackman.

Hugh Jackman meets fans

It felt good to be back in the square, there was a great atmosphere and Hugh was obviously enjoying himself at what he referred to on stage as his "family screening" with over 30 members of the Jackman clan in the cinema.

Hugh Jackman with robot Titan

Hugh was joined on the carpet not only by the director, Shawn Levy but also a robot called Titan.

Director Shawn Levy

Lets hope the contractors get their fingers out and complete the works so the square can return to its rightful place as the premiere location.

Frightfest 2011

Film 4 Frightfest 2011

August Bank holiday weekend and whilst many of my colleagues were at Reading and Leeds festivals, I was official photographer at another, altogether different festival: Frightfest. It’s my 3rd year photographing this festival and my 2nd year as the official photographer.

Doing PR.

The weekend started on the Thursday evening with a premiere of “Don’t be afraid of the dark” and run through to Monday evening with the time being filled with over 35 films (many of them premieres),  Signings, Question and Answer sessions and Media interviews.

Director Robin Hardy signing.

Pollyanna McIntosh signing after the UK Premiere of the controversial film "The Woman"

As the photographer I needed to make sure I was at every media photo-call (media wall) , capture as many introductions and Q&A sessions as well as general atmosphere. This involves long hard (over 12 hour days) but with the clients, guests and attendees all being both fun and interesting, it’s not arduous at all.

Checking the programme (which featured a number of my images form last year)

Pollyanna McIntosh

As I said, many intresting characters. This years “icon” was American producer, writer, director, and actor Larry Fessenden:

Larry Fessenden

As with last year, I am preparing a photo-book which should be ready in a day or two. (Last years available here). You may see a set of photos from this year here…

Today I am preparing for a reportage style wedding shoot on Saturday. More on that next week.

 

Gunning at AIR

This weekend I was invited to attend AIR studios (Lyndhurst) to photograph multi BAFTA winning composer Christopher Gunning recording his Symphony No. 5 with the Royal Philharmonic Orchestra (RPO). This was to be a “Reportage” shoot working around the busy musicians, engineers and of course, Christopher.

Christopher and the RPO

There are of course many constraints to working at a recording session; for example, when sections of music are re-taken (re-recorded) due to a “loud page turn” you realise that the equipment in use is very sensitive and that photographing during “takes” is a definite no-no. (This is in fact something I was already aware of having attended a session at AIR in the past).

Talking through

I made a point therefore of being in the control room listening to the music during takes, rushing out as soon as the Red Light was off to capture the interaction between Christopher and the Orchestra.

The engineers view

After a movement (or section) was recorded, Christopher would return to the control room (sometimes a couple musicians would also come) to listen back to the recording, analyse and then back out to re-record.

Listening Back

I edited the photos and delivered as usual via my secure client delivery website the following morning. Then of course comes the nervous waiting; I have a style of photography which I knew Christopher has seen and liked but there is always that wait. I knew I liked the images and thought they reflected the day and Christopher well but, would he like them? I’m pleased to say he did. If the client is happy – I’m happy!

I had already decided that I would deliver a mixture of colour and monochrome images, I’ll close on a couple of my favourite monos:

Christopher at the desk

Deep in thought

In his thanks, Christopher called me “clever”. Yes, I understand light. Yes, I understand composition but shoots like this are all about watching and understanding. Christopher on the other hand sat in his music room (I don’t know how long for), working on his piano, writing music. This he then orchestrated for 70 musicians. They come together at the studios, the musicians never having seen the music, the composer/conductor never having it actually played by 70 musicians. Christopher conducted, the musicians sight-read and together they created a wonderful sound that had never been heard before… now that’s clever!

 

Marching from classical to rock

Friday, Saturday then Sunday, 3 days to demonstrate the wide range of my work;

First, Friday and a pleasant trip with my “mobile studio” to North London to visit Dimitri Kennaway; a pianist and composer.  The aim was to produce a set of portraits for use on his new website and also his social media sites (Facebook etc). We started in the music room with Dimitri playing his own works and Rachmaninov whilst we chatted and I set up lighting, reflectors and started shooting.

Dimitri Kennaway is a British composer whose work can be heard across the commercial advertising space and broadcast documentaries in the US and EMEA, from American Idol Rewind to Famous: Ralph Fiennes.

Dimitri Kennaway

After we were happy we had finished in the Music Room, we moved into the garden where the afternoon light was lovely for some more informal shots.

Dimitri Kennaway is a British composer whose work can be heard across the commercial advertising space and broadcast documentaries in the US and EMEA, from American Idol Rewind to Famous: Ralph Fiennes.

Dimitri Kennaway

So from peaceful Rachmaninov in the music room to the noise and confusion that was the Anti-Cuts march on Saturday.

Between a quarter and a half a million marching through London is huge news. The problem was we all knew it would get hijacked and there would be violence and once there is this level of violence the media will be dominated by images of this over the peaceful rally. My plan was to stick totally with the peaceful rally which was sort of limiting my outlet before I start but I am not an expert on shooting violence and to be honest I did not really want to put myself or my camera in harms way.

I started off at the head of the rally at 11:30 for the start..

Brendan Barber at the head of the march

My usual plan is then to move with the rally, gradually dropping back but this was so long (I understand it took over four hours for the tail to cross the start line) that this was not really an option so I moved along to Whitehall (near Downing Street) and stayed there allowing the march to pass me always keeping an eye out for interesting banners and sights. In hindsight this was probably not the best place to stay but it did also fit in with my overall plan to file about 2pm before heading back out. Although the mood was very jovial and good natured, there were a couple of pockets where the mood changed distinctly and although all the police I dealt with on the day were good natured and helpful, there was always a hint of what was to come if you looked for it..

Police Riot helmets

Police Riot helmets

I headed off about 1:30 to file my shots and just as the last one uploaded, I received a tweet that mentioned the HSBC  bank had been attacked at Cambridge Circus; only 2 minutes walk from where I was. I hurried over to photograph the aftermath (being sure that that perpetrators would have moved on). What caught my eye was that only 3 or 4 minutes after the trouble had left, with the building still protected by Police in riot gear, a que had formed for the cash machine as though nothing had happened.

Cash Dispenser

Cash Dispenser

As the march had now moved on I decided to call it a day. A selection of images for sale may be seen here..

Sunday and it was back to The Brighton Centre to photograph Elbow. This was one of the nicest gigs I have photographed in a while. The low central walkway brought Guy Garvey (the lead singer) out in to the audience giving us a chance for some nice shots…

Elbow performs at The Brighton Centre, Brighton, 27th March 2011.

Elbow / Guy Garvey

Whilst the lights made things interesting on stage…

Elbow performs at The Brighton Centre, Brighton, 27th March 2011.

Elbow / Guy Garvey

A selection of Elbow images may be seen here..

A more contrasting 3 days I do not think I have had…

Frightfest and on site portraits…

As I am covering the Frightfest Film festival for the second year, I knew that I would be able to grab a little time with some of the genres stars. I therefore decided that I would bring my “portable location studio” . The two small lights, softboxes and clamps can be setup almost anywhere to make an effective portrait. 

For Kane Hodder (stuntman and Jason in the original Friday the 13th films) we decided on the dark, rear fire escape. The lights were clamped either side to the railings and within 15 minutes of walking out we had 3 or 4 good moody portraits in various poses.



For directors Adam Green and Joe Lynch we moved to a lighter, less imposing location further up the stairs to produce this less moody portrait of the pair of them.



A further example is shown in the previous post; Gemma, Isabella and the Werewolf are lit by a single light held by my assistant. 



What is great about this set-up is I can transport it to almost any location, setup, shoot and finish in a matter of minutes with fine control over the lighting.

In todays world there really is no need for any corporation to use flat, boring portraits in their literature.